(this image appears for illustrative purposes only and no attempt is made to supercede any copyright attributed to it)
Ian ReddingtonBorn: Wed 25th September 1957 (age: 55)
Ian Reddington is an English actor.
Ian Reddington was born in Sheffield. He was educated at Frecheville Comprehensive. He had no formal drama training at school but became a leading figure in the Meatwhistle youth theatre project run by youth workers in the city. This gave him his first appearance as the Herald in Peter Weiss's Marat/Sade at the Sheffield Crucible in 1973 directed by Glen Walford. He also played percussion and sang backing vocals in proto-punk outfit Musical Vomit alongside Glenn Gregory, who later went on to become lead singer with Heaven 17. Reddington then went on to study Drama at The Royal Academy of Dramatic Art in London (1976–1979), at the time one of their youngest ever entrants. There he won The William Poel Prize and The Arthur Talbot Smith Award.
Ian's first TV appearance was before a live audience in an episode of Three Up, Two Down for the BBC. He then filmed Doug Lucie's Hard Feelings for the 'Play For Today' series. His many subsequent appearances have included episodes for The Bill, Boon, Casualty, Holby City, Benidorm, Doctors, Peak Practice, Playing the Field, Robin Hood, Inspector Morse and Cadfael, The Sculptress, The Queen's Nose, Jane Hall and Yellow Thread Street and memorably as Tommy the council worker in Shameless, Being April and his own children's series Snap. He was voted Best Villain for his portrayal of the Chief Clown in the Doctor Who serial "The Greatest Show in the Galaxy".
Reddington's theatre work is extensive and started with The Royal Shakespeare Company. He played Master Froth in Measure for Measure, The Tailor in The Taming of the Shrew (Play of the Year), a 'shape' in The Tempest (along withRuby Wax and Juliet Stevenson), The Churchill Play, The Shepherds Play, the multi-award winning Piaf and for the RSC in the West End both Wild Oats and Once In A LIfetime. He then went onto the Bristol Old Vic to play Kent inEdward the Second and Oh! What A Lovely War. It was then out into repertory theatre with leading roles at Plymouth, Stoke, the British première of Thomas Hardy's The Dynasts for Exeter, and in Nottingham Byron's Cain.
For Great Eastern Stage he performed in Travesties. Back at the Bristol Old Vic he appeared in Androcles and The Lion and She Stoops To Conquer and in The Woman Who Cooked Her Husband for Nottingham Playhouse. Then to The Citizen's Theatre, Glasgow where he was seen in world premières of Judith and Saint Joan. In London's fringe he played the title role in Katie Mitchell's Arden of Faversham at the Old Red Lion Theatre, Alec D'Urbaville in Tess at The Latchmere. Also there he performed The Promise with his own company One Word, The Collector at The Spice Of Life and Rutherford And Son at The New End. At The Bush Theatre under Mike Bradwell he appeared in the award winning Hard Feelings and Flamingoes, Black Mas for Foco Novo and Pamela for Shared Experience. A Who's Who Of Flapland for Lakeside, Nottingham. World Premieres of In Pursuit Of The English and Hangover Square at The Lyric Hammersmith.
He worked with English experimental company Lumiere and Son in War Dance and then performed in Italy with the avant-Garde La Zattere Di Babele in Tamburlaine. Further classical work saw him perform Hamlet for the Oxford Stage Company, Richard the Third for the Stafford Festival and Macbeth in London. For the International New Writers Festival in Birmingham he appeared in Car Thieves, and also a platform performance of A Day in the Death of Joe Egg at TheRoyal National Theatre. He has also been seen in Peter Nichols' Blue Murder, Happy as A Sandbag, the award Winning Dead Funny, Ben Elton's Gasping and The Woman in Black with Frank Finlay. For the West Yorkshire Playhousehe appeared in the much acclaimed The Lemon Princess.
Biography from the Wikipedia article, licensed under CC-BY-SA